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  #1  
Old March 11th, 2002, 02:13 PM
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Unhappy Where are they now?

for all mah like-minded pals who oft wonder 'bout the where'bout of their favs:
----------------------------------------------------------------

Parveen Babi:

She came, she conquered and she
left. Parveen Babi, the sex siren of
the 70s and 80s lit up the screen
with her glamourous persona. She
was launched in the controversial
film Charitra and came to be
recognized as the new seductress
of the silver screen. She along
with Zeenat Aman made for all the
oomph in Bollywood.

Despite not being a top actress, she lapped up quite a few
prestigious projects like Deewar, Shaan, Namak Halal, Amar
Akbar Anthony and the likes - courtesy her ability to display her
assets to the fullest. She did full justice to the characters she
portrayed - as a prostitute madly in love with Big B in Deewar, a
club dancer in Shaan, or as a smuggler in Khuddar. Babi was
media savvy and became the subject of mire controversies. Her avant-garde lifestyle, sensational
interviews made the press run after her. She was the first heroine to openly take drugs and flaunt it too.
And along with her contemporaries Kabir Bedi, Protima Bedi and Mahesh Bhatt, she also advocated free
love!

She had relationships with many stars of her time and that included the much-married Kabir Bedi, Danny
Denzongpa and Mahesh Bhatt. Her abortive efforts to revive the relationships affected her leading to
nervous breakdowns. She took a long break from the tinsel-town as she was suffering from
schizophrenia. She put on weight and was only a shadow of the glamour image that she once portrayed.
She created yet another controversy by issuing a press release that accused superstar Amitabh
Bachchan of plotting to murder her.

Of course, none believed her and she vanished without creating any ripple. These days she is said to be
into interior decoration. Sad but true, the lovely Babi of yore has bid adieu completely to the arc lights.
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kehtay hain waqt har zakham bhar deta hain; magar waqt hi mera zakham hai. Waqt nay mujhay pataa nahi kya banaa diya,varna main bhi kabhi insaan tha..
sometimes I sit and look at life from a different angle,dunno if I m God's child or Satan's angel
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  #2  
Old March 11th, 2002, 02:34 PM
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  #3  
Old March 12th, 2002, 12:33 PM
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Reita Faria

The first Indian ever to win the coveted Miss World title, Reita Faria has remained
something of a mystery. Very few Indians know where their first Miss World is
today and what keeps her busy. Maybe only a handful know that she left the Indian
shores 33 years back only to return triumphant with the prestigious title.

A young medical student from Mumbai, Faria stunned the world with her
confidence, beauty and a carefree attitude. Her success has inspired thousands of
young women.

Dr. Reita Faria Powell now lives in Ireland and is happily married. She made a brief
appearance in the Miss World contest 2000, when once again an Indian took away
the title.
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kehtay hain waqt har zakham bhar deta hain; magar waqt hi mera zakham hai. Waqt nay mujhay pataa nahi kya banaa diya,varna main bhi kabhi insaan tha..
sometimes I sit and look at life from a different angle,dunno if I m God's child or Satan's angel
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  #4  
Old March 14th, 2002, 12:37 PM
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Sadhna



The lovely Sadhana catapulted to fame with her first major movie, Love in Simla with
Joy Mukherjee in 1960. And then as they say - the sky was the limit. She went on to
become one of the biggest stars in the history of Indian Cinema. She starred in
blockbusters like Waqt, Mera Saya , Hum Dono, Asli Naqli, Mere Mehboob, Ek Musafir
Ek Hasina, Rajkumar, Woh Kaun Thi, Arzo, and others. Of the 20-odd releases that
she had, about 15 were superhits.
She started the famous Sadhana cut, a fringe that she got herself during the making
of her initial film.Most of the films she worked in were heroine-oriented which gave
her a wide range and a huge fan-following. A talented actress, she married her young
' Love in Simla ' director, R K Nayyar in 1966.

Soon after, she developed health-related problems. She had chronic thyroid for
which she was taken to Boston for treatment. Though she continued working after
her illness, her film career was only in spurts.

Her marriage to Nayyar was a happy one and lasted for 25 years till his death in the
early 90s. Unfortunately, they didn't have children. Today, a widow, she lives all alone
shunning all publicity. She wants to be remembered as the beautiful Sadhana, that she
once was.
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kehtay hain waqt har zakham bhar deta hain; magar waqt hi mera zakham hai. Waqt nay mujhay pataa nahi kya banaa diya,varna main bhi kabhi insaan tha..
sometimes I sit and look at life from a different angle,dunno if I m God's child or Satan's angel
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  #5  
Old March 14th, 2002, 12:38 PM
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.
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kehtay hain waqt har zakham bhar deta hain; magar waqt hi mera zakham hai. Waqt nay mujhay pataa nahi kya banaa diya,varna main bhi kabhi insaan tha..
sometimes I sit and look at life from a different angle,dunno if I m God's child or Satan's angel
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  #6  
Old March 14th, 2002, 05:01 PM
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Rakhi in Bikni
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  #7  
Old March 14th, 2002, 07:24 PM
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Recker pai... sharmila tagor ka aise ya worse koi tasweer hai? Ofcourse Madhri and Juhi too.. (Biggie I know you dont like Juhi.. but please yaar gali mat de).
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  #8  
Old March 14th, 2002, 07:58 PM
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I want to know it all about Nanada and please make it longer then few paragraphs ... thanks ...
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  #9  
Old March 15th, 2002, 10:34 AM
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Arrow Mr.Yogi,read on...

Nanda - A Quiet Innings


Recently Nanda made a rare public appearance
with her friend Waheeda Rehman and memories
of the talented actress came flooding back.
She hasn?t acted since Prem Rog and Ahista
Ahista, but she has done her bit to the Hindi
film industry having acted in a modest number
of memorable films.

Daughter of well-known actor-filmmaker Master
Vinayak and actress Meenaxi (niece of the
legendary V Shantaram), Nanda started her
acting career as a six-year-old in Mandir and
later in Toofan Aur Diya (with a very raw Rajendra Kumar).

She had to start early due to the premature death of her father, but
unlike most child artists whose careers fizzle out when they grow
up, Nanda blossomed into a fine young actress. Initially she got
goody-goody roles in family films like Bhabhi and Chhoti Bahen. But
she showed the industry that if she could play plain Jane, she could
also play glamorous roles to the hilt. The success of Jab Jab Phool
Khile and Gumnaam was proof enough.

Nanda did a wide range of roles in hit films like Kala Bazaar, Hum
Dono (Dev Anand), Usne Kaha Tha (Sunil Dutt), Dhool Ka Phool
(Rajendra Kumar) and Kanoon (a landmark), The Train, Joroo Ka Ghulam
(both with Rajesh Khanna). She then confounded fans by playing a
powerful negative role (a wife who kills her husband with the help
of her lover) in Yash Chopra?s song-less classic thriller Ittefaq
(with Rajesh Khanna) and the role of a drug addict in Naya Nasha.

Nanda formed a very successful pair with Shashi Kapoor, with whom
she starred in the biggest hit of her career - Jab Jab Phool Khile
(remade into an equally successful Raja Hindustani) - and about nine
other films. (The song Yeh sama, sama hai yeh pyar ka from this film
had people?s jaws dropping, with Nanda actually looking sexy!)

Slowly she cut down on her films, doing just an occasional role like
the powerful guest appearance in Manoj Kumar?s Shor. Her last film
before she quit was Naya Nasha and she only made brief comebacks for
Raj Kapoor?s Prem Rog, Esmayeel Shroff?s Ahista Ahista and Ravi
Chopra?s Mazdoor (all as Padmini Kolhapure?s mother). After that she
was never tempted to return though she continues to receive offers
for films and serials. She lives a quiet life away from the
spotlight. Her brother Jaiprakash Karnataki is a filmmaker and
sister-in-law, actress-dancer Jayshree T.

Though there were whispers of romance with some of her co-stars and
directors, Nanda did not marry. Rather late in life she became
romantically involved with filmmaker Manmohan Desai. But he died
tragically before they could marry.
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kehtay hain waqt har zakham bhar deta hain; magar waqt hi mera zakham hai. Waqt nay mujhay pataa nahi kya banaa diya,varna main bhi kabhi insaan tha..
sometimes I sit and look at life from a different angle,dunno if I m God's child or Satan's angel
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  #10  
Old March 15th, 2002, 11:15 AM
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I would like to know about Jagdeep the comedian

DesiBaba please post some information about the original Johhny Lever of yester years Jagdeep Surma Bhopali!!
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  #11  
Old March 15th, 2002, 11:24 AM
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The twinkle has faded a little, the face is lined, but the voice is as nasal as ever.
Which is not surprising, the man has been known for his wit and will to survive.
And for giving Indian comedy a face that was uniquely different from the quiet
comedy of Johnny Walker or the more robust style adopted by Mehmood.

Jagdeep, he of the crazy expressions and the
khambha ukhadkes, has managed -- over the last
50 years -- to carve a niche for himself in the
hearts of the Indian cine goer. He started out as a
barrister's son desperately in need of a job to help
keep his family's body and soul together. "My father
died and, after Partition, we were literally on the
streets. Jeene ke liye kuch karna tha, par bura kaam
karke paise kamana nahin tha (I had to do something in order to survive, but I did
not want to earn money the wrong way). So I started selling soap and combs. I
even sold kites," he remembers.

It was during this time that BR Chopra's Afsana came his way. There was an
applause scene for which the production house wanted some children. And
nine-year-old Jagdeep was told, "he would get Rs 3 for clapping his hands. The
scene was a play, and we were the audience. But the boy who was to say the
lines could not mouth the dialogues in Urdu.

"I knew that, for dialogues, one would get Rs 6. So I volunteered. I put on a beard
and moustache and got an immediate increment. That's how I joined the
industry, because I needed money. I never had any ambitions of playing the lead
role or anything."

He acted in the children's film, Hum Panchi Ek Dal Ke, for which the then prime
minister of India, Pandit Jawaharlal Nehru, honoured him and the other artistes.
"He also gave me his walking stick," recalls Jagdeep. "I still have it with me."
Hum Panchi... became so popular, and when on to win so many awards, that he
was dubbed Laloo Ustad, the character he played in the film. "Even the Russian
children liked it," he smiles. "They sent me a scarf through K A Abbas."

That year proved to be a milestone in Jagdeep's young life. All the films
nominated for the best children's film category -- Raj Kapoor's Ab Dilli Door
Nahin, K A Abbas' Munna and AVM's Hum Panchi Ek Dal Ke -- had a
common factor, Jagdeep. Then came Bimal Roy's Do Bigha Zameen -- the film
which started him down the road to comedy.

Do Bigha Zameen was followed by Aar Paar, Guru Dutt's first production. "This,"
he beams, "was the third time I acted in somebody' first production." Jagdeep
went on to do roles in Aasman, Bhaisahab, Dhake Ki Malmal and Bimal Roy's
first production, Dhobi Doctor where he played the young Kishore Kumar with
Asha Parekh playing the young Usha Kiran.

Then, with Bhabhi, came the romantic roles. "I did one of my best roles in Barkha
-- it was very emotional and I still value it a lot. Yes, every role has been
beautiful, yet I can't compare the role in Bhabhi to that in Barkha."

Jagdeep played hero in five films, opposite heroines like Nanda (Bhabhi), Azra,
Amita and Naaz. He soon became permanent with AVM. "I was the only child
star who worked continuously for 45 years without a break. Usually, child actors
stop working at around 15 or 16 and concentrate on their studies."

Jagdeep even played the young Dilip Kumar in Shikwa. There were roles with
villainish tinges too, like in Ek Masoom and Mandir-Masjid. Meanwhile, the child
was becoming a man, and his ambitions were growing. "Once I started getting a
regular income, I wanted a permanent roof over my head."

"Initially, I got a jhopda (hut) near JJ hospital and later, a kholi (room) in Mahim.
When I was working with AVM, I got a bungalow in Madras. Ultimately, I
bought my own bungalow in Bombay. I sold it later and got a flat. I simply wanted
to keep my mother happy."

When his mother passed away (this happened some time ago), Jagdeep went
into mourning -- and professional hibernation. "I was not mentally prepared to
work. So I took a break. Now, I am back doing TV serials."

Acting, for Jagdeep, was a matter of survival though he did not, at any point, want
to be just a comedian. "But, if this is how the audience likes me, I will continue
doing it. I don't want to impose myself on them through the roles I want to do. I
am a people's actor."

Jaaved (Jaffrey), Jagdeep's elder son, agrees. "He belongs to the masses. I cater
to a different audience, an audience that can understand my dialogue-oriented
stuff. But the masses will never like it. They will prefer to watch my father. He is
one who can make them laugh."

Jagdeep recalls a postcard he once received, "The person had written 'I did not
have any will to live, but seeing the way you do comedy even when you are sad
makes one feel that we have to live.' I was moved when I got the card."

Jaaved interjects, "Dad can play serious roles very well. He is excellent in tragic
scenes. But he got typecast, just like I did. I began as a dancer and people started
looking at me only as a dancer."

Jagdeep rues the way comedy has changed over the years. "In my time, we had
writers who knew how to create comedy purely through dialogue. But that is not
the case today. People wonder why comedians, today, tend to gesticulate and
make faces. The fact is, there is nothing in today's scripts that can make people
laugh. Maybe the writers pen these dialogues after a few pegs and, in their
intoxicated state, find it funny. But, the next morning, no one on the sets will
laugh."

"This is the state of the writers today. We do not even have a script ready when
we reach on the sets. And we are accused of making faces and gestures to make
people laugh. What else can we do?" he asks.

"People should understand what I do. In a country like India, where so many
languages are spoken, it is essential that we rely more on gestures. Moreover,
during my time, this was how we made people laugh. Which is why I am still
known for my funny faces and gestures," says Jagdeep.

As a veteran of 400 plus films, what does Jagdeep feel about the emerging trend
of vulgarity in Hindi films? "It is pathetic," he rues. "In those days, art, culture and
sentiment inspired filmmakers. Films were entertaining then. Unlike today, they
did not portray vulgarity."

Which brings one to Soorma Bhopali, the only film Jagdeep produced. "I
completed half the film before realising no one wanted to buy a film that did not
have a heavy star cast. Yet I did not resort to asking my heroine to dance in wet
clothes. Instead, I asked my friends in the industry do guest roles and the film
ended up as a variety entertainment show," he says.

Jagdeep is proud of the fact that he is a people's actor. "My comedy will not be
appreciated by the elite, or by a group of press people who watch a film with a
pen in their hands. But it will be appreciated by the masses." Something that was
either not noticed, or not appreciated, by director Pankuj Parashar.

"Vinod Khanna asked me to do a guest appearance in his film, Himalayputra. But
I was not comfortable with the scene written for me, so the script was changed.
But when I reached the set the next day, I found that the script had been changed
again. Parashar told me he did not like my comedy," says Jagdeep.

He is still appalled by the way times have changed. "People like Mehboob Khan
used to respect every artiste. Once Nargis was not giving the required
expressions for a shot. So he hit her hard on her face. Nargis was shocked and
began crying. He captured her expression, then fell at her feet and said, "Meri
maa, mujhe maaf karo. Mujhe scene ke liye aisa hi expression chahiye tha
(Please forgive me. But this was the expression I needed for this shot). I have had
the pleasure of working in two of Indian cinema's greatest films, Sholay and
Mother India. But, then, the old-time directors were never arrogant as the ones
today."

"The kind of performance you deliver depends on the director," continues
Jagdeep. "During Do Bigha Zameen, Bimal Roy made Balraj Sahni change every
movement of his because he felt that Sahni was not being as humble as required.
Bimalda acted out the scene and showed it to him. Though Bimalda had a
problem with Hindi, he still got the best out of Sahni. A director does not need to
rude or arrogant. Such people only end up making flops like Pankuj Parashar's
Raajkumar. Why did he ask me to do his film if he did not like the way I act?"

This brought to mind another hurtful memory -- when he, along with I S Johar
and Mehmood, was nominated for best comedian at an awards ceremony
organised by a leading film magazine. "They said that the level of comedy was
not good that year and did not give an award in that category. What do they mean
by level of comedy? And who are they to give awards?" asks Jagdeep. "It is very
sad that our awards ceremony is not organised by a film body. And you can
never have a benchmark for acting or comedy," flares Jagdeep.

He rues the fact that there is no National Award for Best Comedian. "Even
today, if they have a best supporting actor award, it is not given to a comedian.
Does this mean that comedy is not acting?"

Jagdeep takes his role as an actor and human being quite seriously. "We are not
just actors. People have a lot of respect for us and believe in what we say. So we
have a responsibility towards society and must say the right things for them to
absorb," says Jagdeep. "It was only when Mohammed Ali addressed a huge
gathering that he realised the impact a public figure could make with one
speech."

Talking about Mohammed Ali, Jagdeep recounts an encounter he had with Ali in
a boxing ring. "In a comic scene in Qurbani, I challenge Mohammed Ali for a
fight. So when some people were raising funds for building a mosque in Chicago,
they invited me and we had a mock fight. And there I was, trading blows with Ali.
Thank God it was a mock fight. Else, I shudder to think as to what would have
happened to me."

Jagdeep admires Amitabh Bachchan, Dilip Kumar, Raj Kapoor and Shah Rukh
Khan and rates them as actors whom he has liked working with. "I still have
many more years to go," he says. And realising he cannot sign off on a better
note, signals the end of the interview, khambha ukhadke.
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kehtay hain waqt har zakham bhar deta hain; magar waqt hi mera zakham hai. Waqt nay mujhay pataa nahi kya banaa diya,varna main bhi kabhi insaan tha..
sometimes I sit and look at life from a different angle,dunno if I m God's child or Satan's angel
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  #12  
Old March 17th, 2002, 01:01 AM
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Agrez ke zamaane ka zailer

Vijay Ramchend Asrani



--------------------------------------------------------------------------------

Vijay Ramchend Asrani, age 49 years, is Director of Educational Methodologies at RESONANCE a Centre for learning of Critical Thinking in all Sciences.

Graduating in Electrical Engineering in 1971 from the Pune University, and Master's in Electrical Engineering from Bombay University thereafter, Mr. Asrani spent 20 years in a managerial capacity with leading multinational organisations in various organisational functions.

During this period, Mr Asrani lectured with several Institutions of the Bombay University as a visiting faculty in Engineering and Management.

Since 1992 Mr. Asrani has been actively involved on a project "The How of Learning". Mr. Asrani is member of several Professional and Spiritual Associations and Societies.

Address for Resonance:
P.O. Box 6740
101, Vishnu Villa,
10th Road, Khar,
Mumbai c 400 052
INDIA



CAREER:--- Name:Asrani

2000 Mela Aamir Khan, Faisal Khan, Twinkle Khanna
1999 Haseena Maan Jayegi Govinda, Sunjay Dutt, Karishma Kapoor
1999 Heeralal Pannalal Mithun Chakraborty
1999 International Khiladi Akshay Kumar, Twinkle Khanna, Gulshan Grover
1999 Kartoos Sunjay Dutt, Manisha Koirala, Jackie Shroff
1999 Maa Kasam Mithun Chakraborty, Mink
1999 Mother Rekha, Jeetendra, Rakesh Roshan
1999 Nyaydaata Asrani
1999 Shera Mithun Chakraborty, Vinita, Gulshan Grover
1998 Chandaal Mithun Chakraborty
1998 Dulhe Raja Govinda, Raveena Tandon, Kader Khan
1998 Gharwali Baharwali Anil Kapoor, Raveena Tandon, Rambha
1998 Hero Hindustani Namrata Shirodkar, Arshad Warsi, Kader Khan
1998 Ustaadon Ke Ustaad Jackie Shroff, Mithun Chakraborty, Madhoo
1997 Jay Mahalakshmi Maa Asrani
1997 Kaun Rokega Mujhe Chunky Pandey, Govinda, Nagma
1997 Mere Sapno Ki Rani Sanjay Kapoor, Urmila Matondkar, Madhoo
1997 Sanam Vivek Mushran, Manisha Koirala, Sunjay Dutt
1997 Zameer Sanjay Kapoor, Shilpa Shetty, Kader Khan
1996 Daanveer Mithun Chakraborty, Rambha
1996 Muqadar Mithun Chakraborty, Ayesha Jhulka, Rohit Kumar
1996 Raja Ki Aayegi Baaraat Shadaab Khan, Rani Mukherjee
1996 Shohrat Asrani
1995 Anokha Andaz Manisha Koirala, Dalip Tahil
1995 Do Aankhen Baarah Haath Govinda, Madhuvanti, Roopali
1995 Gundaraj Ajay Devgan, Amrish Puri, Kajol
1995 Kismat Rakhee, Govinda, Mamta Kulkarni
1995 Taqdeerwala Venkatesh, Raveena Tandon
1995 Vijeta Sunjay Dutt, Raveena Tandon, Raresh Rawal
1994 Aag Aur Chingaari Asrani
1994 Beta Ho To Aisa Govinda, Varsha Usgaonkar, Anjana Mumtaz
1994 Bewafa Sanam Krishan Kumar, Shilpa Shirodkar, Sagar
1994 Brahma Govinda, Madhoo, Ayesha Jhulka
1994 Ghar Ki Adalat Asrani
1994 Ghar Ki Izzat Jeetendra, Rishi Kapoor, Juhi Chawla
1994 Janta Ta Ki Adalat Sadashiv Amrapurkar
1993 Dil Tera Aashiq Madhuri Dixit, Salman Khan, Kader Khan
1993 Gardish Jackie Shroff, Amrish Puri, Dimple Kapadia
1993 Gurudev Sridevi, Rishi Kapoor, Anil Kapoor
1993 Kasam Teri Kasam Krishan Kumar, Kanchan, Neeta Puri
1993 Sangram Ajay Devgan, Ayesha Jhulka, Karishma Kapoor
1992 Ek Ladka Ek Ladki Salman Khan, Neelam, Anupam Kher
1992 I Love You Asrani
1992 Isi Ka Naam Zindagi Aamir Khan, Farah
1992 Jeena Marna Tere Sang Sanjay Dutt, Raveena Tandon, Aruna Irani
1992 Jo Jeeta Wohi Sikander Aamir Khan, Ayesha Jhulka, Pooja Bedi
1992 Laat Saab Jackie Shroff, Mohsin Khan, Neelam
1992 Muqabla Govinda, Aditya Panscholi, Karishma Kapoor
1991 Dharam Sankat Asrani
1991 Pratikar Madhuri Dixit, Anil Kapoor, Paresh Rawal
1991 Prem Qaidi Karishma Kapoor, Harish, Dalip Tahil
1991 Sapnon Ka Mandir Asrani
1991 Sitam Asrani
1990 Baap Numberi Beta Dus Numbri Kader Khan, Shakti Kapoor, Jackie Shroff
1990 Izzatdaar Dilip Kumar, Govinda, Madhuri Dixit
1990 Jawani Zindabad Aamir Khan, Farah, Javed Jafri
1990 Karz Chukana Hai Govinda, Juhi Chawla, Kader Khan
1990 Muqaddar Ka Badshah Vijaya Shanti, Vinod Khanna, Shabana Azmi
1990 Pyar Ka Devata Madhuri Dixit, Mithun Chakraborty
1990 Pyar Ka Karz Mithun Chakraborty, Dharmendra
1990 Pyar Ke Naam Qurban Mithun Chakraborty, Mandakini, Dimple Kapadia
1989 Bade Ghar Ki Beti Rishi Kapoor, Asrani, Shammi Kapoor
1989 Dost Mithun Chakraborty
1989 Garibon Ka Daata Mithun Chakraborty, Bhanupriya, Divya Rana
1989 Gharana Govinda, Rishi Kapoor, Neelam
1989 Guru Sridevi, Mithun Chakraborty, Nutan
1989 Hum Bhi Insaan Hai Sunjay Dutt, Jackie Shroff, Jaya Pradha
1989 Jaisi Karni Waisi Barni Govinda, Kimi Katkar, Kader Khan
1989 Kanoon Ki Awaaz Asrani
1989 Nafrat Ki Aandhi Dharmendra
1989 Paap Ka Anth Madhuri Dixit, Govinda, Anupam Kher
1989 Rakhwala Anil Kapoor, Farah, Shabana Azmi
1989 Shukriya Asrani
1989 Sikka Dharmendra
1988 Agnee Asrani
1988 Agni Mithun Chakraborty, Amrita Singh, Tanuja
1988 Biwi Ho To Aisi Rekha, Farooq Sheik, Bindu
1988 Commando Mithun Chakraborty, Mandakini, Shakti Kapoor
1988 Ghunghat Asrani
1988 Mar Mitenge Mithun Chakraborty
1988 Pyar Ka Mandir Mithun Chakraborty
1988 Sone Pe Suhaaga Vinod Khanna, Dimple Kapadia, Rajnikant
1988 Waqt Ki Awaaz Sridevi, Mithun Chakraborty, Smita Patil
1987 Aulad Sridevi, Jeetendra, Vinod Mehra
1987 Dariya Dil Govinda, Kimi Katkar, Kader Khan
1987 Jawab Hum Denge Sridevi, Jackie Shroff
1987 Kudrat Ka Kanoon Asrani
1987 Mard Ki Zabaan Dharmendra, Jackie Shroff, Poonam Dhillon
1987 Satyamev Jayate Vinod Khanna, Anita Raaj, Meenakshi Sheshadri
1987 Sher Shivaji Asrani
1987 Sindoor Asrani
1986 Aag Aur Shola Sridevi, Jeetendra, Mandakini
1986 Aisa Pyar Kahan Mithun Chakraborty, Vinod Mehra
1986 Dilwala Mithun Chakraborty
1986 Dosti Dushmani Bhanupriya, Poonam Dhillon
1986 Insaaf Ki Awaaz Anil Kapoor, Richa Sharma, Rekha
1986 Love 86 Govinda, Asrani
1986 Muddat Mithun Chakraborty, Sadashiv Amrapurkar
1986 Suhagan Sridevi, Jeetendra
1986 Swarg Se Sundar Mithun Chakraborty
1985 Aakhir Kyon Rajesh Khanna, Smita Patil, Raakesh Roshan
1985 Haqeekat Dharmendra, Priya
1985 Hoshiyar Asrani
1985 Masterji Sridevi, Rajesh Khanna
1985 Mera Ghar Mere Bacche Asrani
1985 Mera Saathi Asrani
1985 Pataal Bharavi Jitendra, Sangeeta Bijalani
1985 Sanjog Vinod Mehra
1985 Sarfarosh Sridevi
1985 Soor Sangam Jaya Pradha, Girish Karnad, Deven Verma
1985 Teri Meherbaniyan Poonam Dhillon
1985 Yaadon Ki Kasam Zeenat Aman, Mithun Chakraborty
1984 Asha JyotiI Rekha
1984 Bekaraar Sunjay Dutt, Padmini Kolhapure, Mohnish Behl
1984 Ghar Ek Mandir Mithun Chakraborty
1984 Jhoota Sach Mithun Chakraborty, Dharmendra, Rekha
1984 Kaamyab Rekha, Shabana Azmi
1984 Love Marriage Anil Kapoor, Meenakshi Sheshadri
1984 Maqsad Sridevi, Rajesh Khanna, Jeetendra
1984 Sahara Mithun Chakraborty, Hema Malini, Tina Munim
1984 Sardar Asrani
1983 Agar Tum Na Hote Rajesh Khanna, Rekha, Raj Babbar
1983 Himmatwala Sridevi, Jeetendra, Waheeda Rehman
1983 Mujhe Insaaf Chahiye Mithun Chakraborty, Rekha
1983 Shubh Kaamana Rati Agnihotri
1983 Wanted Mithun Chakraborty
1983 Yeh Ishq Nahin Aasan Padmini Kolhapure
1982 Kaam Chor Rakesh Roshan, Jaya Pradha
1982 Nikaah Raj Babbar, Salma Agha, Deepak Parashar
1981 Ek Duje Ke Liye Kamal Hassan, Rati Agnihotri
1981 Ek Hi Bhool Jeetendra, Rekha, Shabana Azmi
1981 Hamari Bahu Alka Rakesh Roshan, Bindiya Goswami, Utpal Dutt
1981 Kal Hamara Hai Asrani
1980 Agreement Rekha
1980 Bandish Asrani
1980 Desh Drohi Asrani
1980 Gunhegaar Rajendra Kumar, Asha Parekh, Parveen Babi
1980 Hum Nahin Sudrenge Tom Alter
1980 Maang Bharo Sajna Jeetendra, Rekha, Moushumi
1980 Nishana Rekha, Mithun Chakraborty, Poonam Dhillon
1980 Swayamvar Asrani
1980 Takkar Zeenat Aman, Sanjeev Kumar, Jaya Pradha
1980 The Burning Train Dharmendra, Hema Malini, Vinod Khanna
1980 Yeh Kaisa Insaaf Shabana Azmi, Vinod Mehra, Madan Puri
1979 Ahimsa Rekha, Asrani
1979 Baaton Baaton Mein Amol Palekar, Tina Munim
1979 Bhala Maanus Asrani
1979 Do Ladke Dono Kadke Asrani
1979 Hamare Tumhare Anil Kapoor
1979 Jaan-E-Bahaar Asrani
1979 Jurmana Rakhee Gulzar, Amitabh Bachchan, Dr. Shreeram Lagoo
1979 Naalayak Asrani
1979 Salaam Memsaab Tom Alter
1979 Sargam Rishi Kapoor, Jaya Prada
1978 Badatey Ristey Jeetendra, Rishi Kapoor, Reena Roy
1978 Daku Aur Jawaan Asrani
1978 Dillagi Dharmendra
1978 Ghar Rekha, Vinod Mehra
1978 Heeralal Rannalal Zeenat Aman
1978 Hunterwali Asrani
1978 Maa Baap Asrani
1978 Pal Do Pal Ka Saath Asrani
1978 Pati Patni Aur Woh Sanjeev Kumar, Vidhya Sinha
1978 Phaansi Sulakshana Pandit
1978 Phool Khile Hain Gulshan Gulshan Mithun Chakraborty
1977 Aap Ki Khatir Vinod Khanna, Rekha, Madira
1977 Aashiq Hoon Baharon Ka Zeenat Aman
1977 Ab Kya Hoga Shatrughan Sinha, Neetu Singh
1977 Alaap Amitabh Bachchan, Rekha, Chhaya Devi
1977 Anurodh Rajesh Khanna, Dimple Kapadia, Nirupa Roy
1977 Chailla Babu Rajesh Khanna,Jeenat Aman
1977 Chakkar Pe Chakkar Rekha
1977 Chala Murari Hero Banne Dharmendra
1977 Chalta Purza Rajesh Khanna, Parveen Babi
1977 Chandi Sona Raj Kapoor, Parveen Babi
1977 Chor Sipahi Shabana Azmi, Parveen Babi
1977 Dhongee Farida Jalal
1977 Dream Girl Dharmendra, Hema Malini
1977 Duniyadari Nutan, Parikshat Sahni, Vinod Mehra
1977 Heera Aur Patthar Shabana Azmi
1977 Jagtri Vinod Mehra, Reena Roy, Prem Chopra
1977 Karm Shabana Azmi
1977 Kasam Khoon Ki Jeetendra, Sulakshana Pandit
1977 Khoon Pasina Amitabh Bachchan, Vinod Khanna, Rekha
1977 Kotwal Saab Shatrughan Sinha, Aparna Sen, Utpal Dutt
1977 Palkon Ki Chaon Mein Rajesh Khanna, Hema Malini
1977 Priyatama Asrani
1977 Saheb Bahadur Asrani
1976 Aap Beetee Asrani
1976 Balika Badhu Sachin, Rajni
1976 Bandalbaaz Farida Jalal, Sulakshana Pandit
1976 Bhanwar Parveen Babi
1976 Charas Dharmendra
1976 Fakeera Shashi Kapoor, Shabana Azmi
1976 Laila Majnu Rishi Kapoor, Ranjeeta Kaur
1976 Mehbooba Rajesh Khanna, Hema Malini
1976 Udhar Ka Sindur Asrani
1975 Akraman Rekha, Farida Jalal
1975 Apne Rang Hazaar Asrani
1975 Chaitali Dharmendra, Saira Banu
1975 Choti Si Baat Amol Palekar, Vidya Sinha, Utpal Dutt
1975 Chupke Chupke Dharmendra, Amitabh Bachchan, Jaya Bhaduri
1975 Khusboo Hema Malini, Jeetendra, Farida Jalal
1975 Mazdaaq Vinod Mehra, Mehmood, Moushmi Chatterjee
1975 Rafoo Chakar Rishi Kapoor, Neetu Singh, Rajinder Nath
1975 Raja Sulakshana Pandit
1975 Sholay Dharmendra, Amitabh Bachhan, Sanjeev Kumar
1975 Sunhera Sansar Rajendra Kumar, Hema Malini, Romesh Sharma
1975 Tapasya Asrani
1975 Uljhan Farida Jalal, Sulakshana Pandit
1975 Umar Qaid Jeetendra, Sunil Dutt, Reena Roy
1974 Aap Ki Kasam Rajesh Khanna, Mumtaz, Sanjeev Kumar
1974 Ajnabi Rajesh Khanna, Zeenat Aman
1974 Bidai Asrani
1974 Charitraheen Parveen Babi
1974 Chor Machaye Shor Shashi Kapoor, Mumtaz, Danny Denzongpa
1974 Duniya Ka Mela Sanjay Khan, Rekha
1974 Humshakal Vinod Khanna, Meenakshi Sheshadri
1974 Paap Aur Punya Asrani
1974 Paise Ki Gudiya Asrani
1974 Prem Nagar Rajesh Khanna, Hema Malini
1974 Roti Rajesh Khanna, Mumtaz, Nirupa Roy
1974 Trimurti Parveen Babi
1973 Aaj Ki Taaza Khabar Asrani
1973 Abhimaan Amitabh Bachchan, Jaya Bhaduri
1973 Achanak Vinod Khanna, Iftekhar, Farida Jalal
1973 Agni Rekha Asrani
1973 Anhonee Asrani
1973 Challia Asrani
1973 Namak Haram Amitabh Bachchan, Rajesh Khanna, Rekha
1972 Bawarchi Rajesh Khanna, Jaya Bhaduri, A.K.Hangal
1972 Koshish Sanjeev Kumar, Jaya Bhaduri
1972 Parichay Jaya Bhaduri, Jeetendra, Sanjeev Kumar
1972 Raste Ka Pathar Asrani
1972 Sabse Bada Sukh Asrani
1972 Sita Aur Geeta Sanjeev Kumar, Hema Malini, Dharmendra
1972 Shadi Ke Baad Asrani
1972 Yeh Gulistan Hamara Dev Anand, Sharmila Tagore
1971 Banphool Jeeendra, Babita, Shatrughan Sinha
1971 Guddi Dharmendra, Jaya Bhaduri, Samit Bhanja
1971 Mem Saab Vinod Khanna, Yogita Bali
1971 Mere Apne Vinod Khanna, Shatrughan Sinha,Meena Kumari
1971 Piya Ka Ghar Anil Dhawan, Jaya Bhaduri
1970 Pushpanjali Asrani
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  #13  
Old March 20th, 2002, 11:46 AM
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Re: Agrez ke zamaane ka zailer

Quote:
Originally posted by aashoo
Vijay Ramchend Asrani



--------------------------------------------------------------------------------

Vijay Ramchend Asrani, age 49 years, is Director of Educational Methodologies at RESONANCE a Centre for learning of Critical Thinking in all Sciences.

Graduating in Electrical Engineering in 1971 from the Pune University, and Master's in Electrical Engineering from Bombay University thereafter, Mr. Asrani spent 20 years in a managerial capacity with leading multinational organisations in various organisational functions.

During this period, Mr Asrani lectured with several Institutions of the Bombay University as a visiting faculty in Engineering and Management.



amazing
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kehtay hain waqt har zakham bhar deta hain; magar waqt hi mera zakham hai. Waqt nay mujhay pataa nahi kya banaa diya,varna main bhi kabhi insaan tha..
sometimes I sit and look at life from a different angle,dunno if I m God's child or Satan's angel
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  #14  
Old December 3rd, 2005, 10:40 PM
Napolean Napolean is offline
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Re: Where are they now?

Asrani an M.E. in electrical engg. ...amazing seriously...never knew that...
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  #15  
Old December 4th, 2005, 07:43 AM
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Re: Agrez ke zamaane ka zailer

Quote:
Originally Posted by aashoo
Vijay Ramchend Asrani



--------------------------------------------------------------------------------

Vijay Ramchend Asrani, age 49 years, is Director of Educational Methodologies at RESONANCE a Centre for learning of Critical Thinking in all Sciences.

Graduating in Electrical Engineering in 1971 from the Pune University, and Master's in Electrical Engineering from Bombay University thereafter, Mr. Asrani spent 20 years in a managerial capacity with leading multinational organisations in various organisational functions.

During this period, Mr Asrani lectured with several Institutions of the Bombay University as a visiting faculty in Engineering and Management.

Since 1992 Mr. Asrani has been actively involved on a project "The How of Learning". Mr. Asrani is member of several Professional and Spiritual Associations and Societies.

Address for Resonance:
P.O. Box 6740
101, Vishnu Villa,
10th Road, Khar,
Mumbai c 400 052
INDIA


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